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thoughts on screenwriting from writer-producer erik bork

What makes a good series idea

What makes a good series idea

In my work pitching series ideas and writing pilots (and on good days, selling them to networks such as NBC and Fox), I’ve learned a few things about what they’re looking for, and what makes an idea sellable – as well as what a successful pilot script tends to include…

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Writing from a subjective POV

Writing from a subjective POV

The single most devastating note I could ever hear on one of my scripts (if readers were brutally honest enough to say it), would be, “I didn’t...

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THE KIDS ARE ALL RIGHT

THE KIDS ARE ALL RIGHT

As I watched this very enjoyable movie recently, I found myself trying to identify the main character, central story problem, and possible Save the...

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SAVE THE CAT genres

SAVE THE CAT genres

Ever since an established producer recommended I read  Blake Snyder's Save the Cat, I've found it to be an essential tool, both for my own writing,...

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ALICE IN WONDERLAND

ALICE IN WONDERLAND

To me, this is a great example of taking appealing source material that doesn't specifically meet the usual story structure guidelines that books...

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WGA guide to Television Writing

In my coaching and script consulting, I help a lot of writers with original series ideas: evaluating concepts, reading pilots, and sharing my...

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Passion. Openness. Persistence.

I guess I've become a fan of acronyms. First, it was "CURE": what I think we as writers should aim for with every concept, every story, ever scene...

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“The Blind Side”

I loved the book, as well as Michael Lewis' other book MONEYBALL, and was surprised and interested to see that a movie version had been made.  It's...

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Main characters and DRAMATICA

One issue I commonly find in scripts I read is a lack of clarity on whose emotional point-of-view the story is being told through. I think that we...

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Loglines and SAVE THE CAT

Most story (and series) ideas fail at the level of concept. Sad, but true. I've learned this the hard way. Of course, "fail" is a harsh word.  What...

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Erik Bork

I’m a screenwriter best known for my work on the HBO miniseries Band of Brothers and From the Earth to the Moon, for which I wrote multiple episodes, and won two Emmy and two Golden Globe Awards as part of the producing team.

My book THE IDEA: The Seven Elements of a Viable Story for Screen, Stage, or Fiction was released in 2018.

Click here to e-mail me.

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