flying wrestler

thoughts on screenwriting from writer-producer erik bork

Writing for Television

Writing for Television

Writing for television has become increasingly popular in recent years for writers looking to start careers. This makes a lot of sense given that there’s been an explosion of quantity and quality in TV, as well as outlets for original series. Meanwhile many see the feature film business as contracting and becoming less of a viable option.

read more
The 3-Page Prologue

The 3-Page Prologue

The opening pages of a script are very important. We all know this. Busy industry readers will tend to put a script down if they’re not grabbed...

read more
Vomit draft: a good idea?

Vomit draft: a good idea?

What does it mean to write a vomit draft? And is there value in doing one? A vomit draft is when you “vomit out” a first complete pass at a script...

read more
Character Bios

Character Bios

Is it a good idea to create character bios? Should they be shared with others?  What should they consist of? I have a love-hate relationship with...

read more
All is Lost moment

All is Lost moment

The All is Lost moment in any story tends to come around 3/4 of the way through. It paves the way for one final attempt to solve the main overall...

read more
Writing about yourself

Writing about yourself

They say "write what you know," right? So writing about yourself should be the ultimate version of that. But is it a really good idea to create a...

read more
Fresh and Real

Fresh and Real

Scripts that get noticed and help writers find representation often explore some aspect of human experience in a strikingly fresh and real way,...

read more
Looking At vs. Looking Through

Looking At vs. Looking Through

Commercial films and TV series usually work very hard to get the audience emotionally invested in at least one specific character whose problems and...

read more
The Ideal Writing Session

The Ideal Writing Session

I’ve been writing five days a week for about thirty years. Whether it’s an 8-hour session or a quick thirty minutes just to keep things moving forward, I’ve seen the value of a daily block of time devoted to the writing “practice.” And really, it’s all practice. That’s a good attitude to have. In fact, the single most important thing I’ve discovered…

read more
Story in Documentary

Story in Documentary

Cheer on Netflix is a great study of the elements that make for a compelling narrative. And it demonstrates how story in documentary is really no...

read more
Writing a Dual Narrative

Writing a Dual Narrative

I found Marriage Story to be a devastatingly emotional portrait of a couple going through a divorce, where we like both of them, and can see both of...

read more
Make Them Miserable

Make Them Miserable

HBO's Succession won the Emmy for outstanding drama series in 2020. I am struck by how well it underscores the need to do one simple thing with a...

read more
Erik Bork

I’m a screenwriter best known for my work on the HBO miniseries Band of Brothers and From the Earth to the Moon, for which I wrote multiple episodes, and won two Emmy and two Golden Globe Awards as part of the producing team.

My book THE IDEA: The Seven Elements of a Viable Story for Screen, Stage, or Fiction was released in 2018.

Click here to e-mail me.

Share This