flying wrestler

thoughts on screenwriting from writer-producer erik bork

Shaping Your Main Character

Shaping Your Main Character

I was happy to see Fleabag do so well at the Emmies after its second season. It's a British comedy, and it had that classic English run of twelve...

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Once Upon a Time in Hollywood

Once Upon a Time in Hollywood

No one warned me that Once Upon a Time in Hollywood was going to be 2 hours and 40 minutes long. Or that it would be paced the way it was. Certainly...

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Writer’s Block

Writer’s Block

When I tell someone I’m a writer, one of the most frequent questions I get is, “How do you deal with writer's block?"  I have a standard answer that...

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Find Your Writing Voice

Find Your Writing Voice

One of my favorite new series in recent years was PEN15 on Hulu. It's co-creators and stars play versions of themselves at age 13. They're best...

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Writing a Scriptment

Writing a Scriptment

As the word implies, a "Scriptment" is somewhere between a script and a treatment. It's a complete scene-by-scene description without the dialogue....

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Subtext

Subtext

Subtext is often talked about as the key to good dialogue. But what is it, exactly, and how do we use it? Subtext is what characters are really...

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Screenwriting contests

Screenwriting contests

Screenwriting contests — are they a good idea? Agents and managers I’ve talked to have emphasized that there are handful of top competitions that...

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B Story

B Story

What is a B Story? It's a secondary story that has its own beginning, middle and end, and is focused on its own problem, separate from but...

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It’s about EMOTION

It’s about EMOTION

At the core of what we're trying to do with any script is to make strangers care. Virtually every note I give on any script ultimately connects to...

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Punch – Counterpunch

Punch – Counterpunch

The show runner of a drama series I once worked on described what he wanted in the middle of an episode as being a "punch - counterpunch" dynamic...

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Talking about THE IDEA

Talking about THE IDEA

I've been making the rounds of the screenwriting podcasts, blogs and other venues lately, talking about my new book THE IDEA: The Seven Elements of...

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The 7 Elements of a Viable Story

The 7 Elements of a Viable Story

In my experience as a professional screenwriter (on projects like Band of Brothers) and in the years that I've been teaching and coaching writers,...

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Erik Bork

I’m a screenwriter best known for my work on the HBO miniseries Band of Brothers and From the Earth to the Moon, for which I wrote multiple episodes, and won two Emmy and two Golden Globe Awards as part of the producing team.

My book THE IDEA: The Seven Elements of a Viable Story for Screen, Stage, or Fiction was released in 2018.

Click here to e-mail me.

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