flying wrestler

thoughts on screenwriting from writer-producer erik bork

One-Act Films

One-Act Films

Robert McKee recently blogged about the "Rise of One-Act Films," and I found so much of interest in his article that I wanted to expand on the...

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Write 2 Scripts a Year

Write 2 Scripts a Year

How do you know when it’s time to put down a script, and write something else? How do you stay motivated, and not get discouraged when a script...

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Top 10 Script Problems

Top 10 Script Problems

There are certain fundamental qualities that stories for the screen seem to need, which all writers struggle to master. I see problems related to...

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I Got This

I Got This

A short comedy I wrote and directed is debuting at film festivals next month. It’s called I Got This. It’s a 22-minute reworking of a feature film...

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Screenwriting outside L.A.

Screenwriting outside L.A.

I moved to Los Angeles to become a screenwriter. But that was before the internet made the world a lot smaller. So what’s the value of living in...

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Writing miniseries on spec

Writing miniseries on spec

Post updated January 20, 2018: A lot has changed in the television landscape in the seven plus years since I wrote the article below. "Miniseries"...

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Not About the Work

Not About the Work

I, Tonya strikes me as a great example of a point I often find myself making to writers who bring me film or TV ideas about someone trying to...

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Debate Section

Debate Section

I’ve written before about the first ten pages of a screenplay, and touched on the nature of the Catalyst (which the Save the Cat "beat sheet"...

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Fun & Games Section

Fun & Games Section

Blake Snyder’s Save the Cat books called the first half of a screenplays second act the “Fun & Games section.” This is where the action shifts...

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One Problem Affecting Everyone

One Problem Affecting Everyone

At the heart of a good original TV series idea is one big problematic situation. It somehow affects all the series regulars. And it leads to endless...

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Who is My Antagonist?

Who is My Antagonist?

Many writers believe their story needs a villain -- a single character who is the main source of opposition in the story, or the primary “bad...

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Main Character’s Problem/Goal

Main Character’s Problem/Goal

The main character of a story has a problem they want to solve. The main character of a story has a goal they want to achieve. Which is it? It’s...

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Erik Bork

I’m a screenwriter best known for my work on the HBO miniseries Band of Brothers and From the Earth to the Moon, for which I wrote multiple episodes, and won two Emmy and two Golden Globe Awards as part of the producing team.

My book THE IDEA: The Seven Elements of a Viable Story for Screen, Stage, or Fiction was released in 2018.

Click here to e-mail me.

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